Blogs by Autodeskers
Join me for a upcoming webcast on May 28th where I will be discussing the Maya Open Data initiative. We will also be exploring a variety of Scene Assembly workflows in Maya 2014. See agenda for details...
Join David Zwierzchaczewski, 3D Specialist Application Engineer, Autodesk, as he demonstrates the animation tools in the Entertainment Creation Suites (3Ds Max & Maya), See trailer video http://youtu.be/SZa5ENrmDuA Melbourne 3 June | Sydney 4 June 2013 REGISTER for the events here...
The installer for the Autodesk Building Design Suite Ultimate doesn't show the Civil View option under 3ds Max Design, therefore Civil View will not get installed. Read on for the steps on how to manually install it.
Earlier this year, Autodesk announced a series of new releases amongst its range of products, including updates to its Entertainment Creation Suites, Autodesk Maya, Autodesk 3ds Max, Autodesk MotionBuilder, Autodesk Mudbox, Autodesk Softimage and Autodesk SketchBook Designer. These enhancements 3D animation enhancements were launched recently at a the Autodesk Unfold Virtual Event, and it’s now Australia’s turn to get a first hand look at the award-winning 3D animation, visual effects and creative tools, that are used by award-winning artists and the rest of us too.
When 3ds Max 2014 is launched, you see: Autodesk Exchange Store Error Messages 3ds Max failed to find any "RuntimeRequirements” nodes under “ApplicationPackage" node in “C:\ProgramData\Autodesk\ApplicationPlugins\Autodesk DrawingTabs.bundle\PackageContents.xml”.
Maya Bonus Tools resource page: Here you will find a collection of tutorials and demos specifically related to Bonus Tools. Once installed the Bonus Tools help menu will link back to this page. Bookmark it and check back later for additional updates.
The post describes the change in default mental ray thread priority and how to change this for rendering and Backburner rendering.
We recently visited The Vanity, a Toronto-based post production company and Flame customer specializing in TV commercials. We talked with Naveen Srivastava and Sean Cochrane, Flame artists, co-owners and partners about how they meet tight deadlines without compromising creativity.
Confirmed as one of the speakers is Matt Estela, the Lighting Lead from Animal Logic, Australia’s premier film, animation and visual effects studio. Fresh from working on “The Great Gatsby, Matt’s responsibilities cover the tricky terrain of combining complicated technical aspects with artistic and emotional notes. On a visually demanding film like “The Great Gatsby”, the complications are multiplied when you add in the elaborate world typical of Baz Luhrmann films.