|
I’ve got a lot of RED footage shot blue screen. I’ve got to export DPX files with a beauty pass and a flat (or relatively flat) pass for keying. The beauty pass would arguably have been spill suppressed similar to what is available in the Master Keyer spill suppression. I’ve found that pulling back on the key color in lustre tends to cause fringing. Is there a better way to do it? I’d like to stay in lustre to allow me to work on 1.5 hours of footage direct to the SAN without filling up my local storage. Thanks.
|
|
|
