I have DPX material coming from ARRI D21 in DPX YUV format. Lustre is unable to read that. Any suggestions?

Why isn’t Autodesk supporting these Cameras yet? Digital acquisition is the future and much simpler softwares are supporting these cameras in their raw format. Cameras like ARRI D21, Weisscam, phantom and others are pushing competitive products that support them.

I’m Legend

hypermatter 31 January 2010 06:09 PM

I have DPX material coming from ARRI D21 in DPX YUV format. Lustre is unable to read that. Any suggestions?

Why isn’t Autodesk supporting these Cameras yet? Digital acquisition is the future and much simpler softwares are supporting these cameras in their raw format. Cameras like ARRI D21, Weisscam, phantom and others are pushing competitive products that support them.

I agree.

We need support for digital cinema camera raw formats asap.
I think their development system is devitalized last two years…

I realy don’t know how many systems they’ve sold last year… Nucoda FilmMaster, Baselight and DaVinci Resolve spreads like ants all over the world…

We want 4K real-time grading and raw format support on IBC 2010. Keep working… ;)

Yes, those are pretty big requirements for today’s workflows. Most of movies now have some shots with a camera you’ve never heard about… or just the firmware you’ve never heard about!

Cedric Lejeune
pipelines&workflows
http://www.workflowers.net