Life in 3D

In celebration of Shark Week, we've netted 13 sea creatures and aquatic scenes for you to sink your 3D-lovin' teeth into. Enjoy! 

Light and render a school of sharks for Shark Week? Yes, please! Lee Griggs walks us through techniques for creating an underwater scene using Maya and Arnold.

Ready to geek out? From Disney to the Zodiac Killer, here are 19 fan art pieces made in 3ds Max, Maya, Mudbox, and rendered with Arnold.

"Working on "Deadpool 2" was nothing short of a delight for the team [and] the film feels special because of that."

A roundup of jaw-dropping photorealistic portraits found on AREA

The very talented artists at Rising Sun Pictures talk about their recent work on Thor: Ragnarok.

To up his texturing and look development skills, Timothée Maron challenged himself to create a photo real WW2-era R.A.F. helmet.

To celebrate the release of Maya 2018, Long Winter Studios crafted the short film “Wall of Death,” featuring the best of Maya’s animation and modeling workflows. Here’s a peek at what inspired them and powered them through the process, from concept to final renders.

Sebastian Barker, founder of boutique studio Automatik VFX, shares his work on "The Girl With All the Gifts," and what it took to create a credible zombie movie on a budget.

To celebrate the inspiring talent in the film, television, and VFX industry, Autodesk is delighted to present interviews with the nominees of the Special, Visual & Graphic Effects category for the 2018 British Academy Television Craft Awards. Steve Murgatroyd, Head of 2D at Freefolk, talks us through the challenges he faced working on "Emerald City," how he got to where he is in the industry, what inspires him, and gives advice for new artists.