Karl, describe the work you handled as Digital Effects Supervisor.
I did all the on-set supervision for both seasons: production meetings, assessing where visual effects could help, smoothing out problems, and when possible, meeting with the team in the office to finish up shots. The mandate with Daredevil is realism and grit, so we try to take care of as much practically and as in-camera as possible. As is the case with all projects though, things go wrong and last-minute stuff comes up. Some of it was small and some of it was big and fun, like explosions, fire, and characters jumping off buildings (laughs).