Life in 3D

The love for Star Wars started at a young age for Soren Zaragoza after having seen the original films. Feeling underwhelmed by the news addition of films, he took action to create his own fan project, Bounty Hunt.

New to 3ds Max and don’t know where or how to get started? We’ve compiled a list of resources from tutorials, to technique how-to’s, to troubleshooting.

Phil Duncan of Ghost Town Games dishes on the development of their chaotic co-op cooking game that was made with the help of Maya.

Wondering if the VFX industry is right for you? We polled the 3D community about what drew them to a career in visual effects for film.

In part 2 of this 8-part series, Emmy-winning Bardel Animation shares 9 things you should keep in mind when making a storyboard portfolio.

Visual Effects Supervisor Joao Sita of Image Engine outlines exactly what went into that robot battle royale in Episode 10 of Netflix's "Lost in Space."

In part two of this tips series for 3D artists by animation studio, Bardel Entertainment: The 6 best things to showcase when making your design portfolio.

Polder Animation discusses the unique 3D challenges faced in making "Scrambled," a short film about a discarded Rubik's Cube.

Alexandra Zedalis from The Third Floor tells us what the day-to-day for a Visualization Artist looks like.

James Kirk, FX Lead for season 2 of Stranger Things discusses how Method Studios created the finale's Shadow Monster.